Bob Avian is far more than a Dancing Man―he is one of the savviest, most intuitive, inventive and no bullshit talents the musical theater has ever produced. Bob danced in every type of show from burlesque to West Side Story and learned from many of the giant choreographers of the twentieth century. He was also an integral part of the reinvention of the American musical in the 1970s, working with Stephen Sondheim, Hal Prince, and Michael Bennett on legendary shows such as Company, Follies, and A Chorus Line, as well as producing the smash hit musical Dreamgirls. It was my great fortune to have had Bob begin his solo choreography career with the London premiere production of Follies followed by Miss Saigon. This wonderfully honest and candid autobiography gives the reader a unique, unvarnished place in the many rooms where it happened, as magic was created―and sometimes not! For anyone starting out in the musical theater, this really is how shows come together, and Bob Avian is certainly a key figure in that magical world.
When I read Bob’s autobiography I was astonished by the breadth of his life on stage. I don’t think there’s anyone who has done as much in every aspect of our field. It’s mind-blowing. His demeanor is a model for all directors and choreographers. Not only is he supremely talented, he has the wisdom of the great creators in our business. His life in the theater was a page-turner, and his knowledge makes me think I haven’t even touched the surface. I have even more respect and admiration for my dear friend. What a life. What a talent.
